The Patagonians

The Patagonians

A single-player adventure with horror elements.
The levels of the game are filled with creepy monsters, riddles and a frightening atmosphere.

The daughter of the protagonist of the game disappears on her tenth birthday.
He rushes in search and accidentally learns that she was seen at the abandoned mansion of the founders of the city.
Going there, the hero will remember what he should not remember.

Learn the Basics of The Patagonians

The game is controlled using the keyboard.
Use the following buttons to control your character: WASD -move the character, SPACE - jump, SHIFT - run, E - action, LMB - attack, RMB - secondary weapon, TAB - pause.
Use headphones for a better immersion in the atmosphere of the game.
Attention arachnophobes - there are large arachnid monsters in the game.
Also in the game there are sudden and frightening sounds.

Unique Game Mechanics

In the game you are waiting for:
- simple controls
- interesting story
- unique monsters
- bosses
- original 2D graphics
- atmospheric soundtrack

What are the main features highlighted by the tags?

Tags linked to this game include 1player, 2d, horror, platformer.

Who is the creator behind this game’s concept and design?

The programming work on this game was handled by RDV Indie Games.

Are there any blood visuals in the game?

Yes, The Patagonians has bloody content.

What programming language or platform is used for creating this game?

The WebGL technology stack powers this game’s creation.

What genre does this game belong to?

This game falls under the Adventure type.

Which age groups would enjoy playing this game?

The ideal age group for playing this game is Kids, Teens, Young Adults, Adults, Seniors.

What gender audience is the game tailored for?

The game is more appropriate for Male & Female.

Does the game contain any violent or abusive content?

Yes, cruelty is depicted or involved in The Patagonians.

Is the game intended for kids to enjoy?

No, The Patagonians is not suitable for a children's age group.
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